Financial Times: Ripping apart art: Iran’s cultural world strained by protest and politics

Daroodi, who was also conscious of the running costs of her premises, said she believed her decision to reopen had been justified. "The gallery as we knew it before doesn't exist anymore and artists are becoming more creative. Conversations have changed - as if the gallery has turned into a new refuge for artists," she said. "It is the atmosphere that matters now, not necessarily what's hung on the walls. Why should we deprive ourselves of the few private safe spaces left to gather and talk about art and everything else?"
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O Gallery at Art021 Platform

For the upcoming edition of Art021 Platform, O Gallery proposes a curated presentation by four of our artists: Ali Nassir, Shideh Tami, Ashkan Sanei and Armin Ebrahimi to highlight the artists’ very personal moments of introspection, rooted in their lived experiences as well as collective histories and memories. The works of the selected artists are deeply embedded within this uncertain time, evoking cautions, questions and desires. The online platform is available for viewing November 3 - 20 2022.
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O Gallery at Asia Now 2022

Certainty is the undeniable and irresistible knowledge of something. When defining our reality, certainty compels us to substitute the rational analysis processes with those based on memorization. Uncertainty, on the other hand, appears as the opportunity to generate a thinking process that responds to the realities of the unknown or changing nature.
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Espronceda Artist-in-Residence Prize was awarded to Maryam Mohry for a one-month residency in Barcelona

Maryam Mohry is the winner of this year’s Espronceda – Artistic Residency Award, in collaboration with Swab Art Fair. Espronceda offers artistic residencies for international artists and the opportunity to exhibit in Barcelona. The Center also programs concerts, workshops, curated exhibitions and professional meetings with established international artists to diffuse culture and promote education.
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Maryam Mohry at Swab Barcelona 2022

O Gallery is pleased to announce its participation at SWAB Barcelona 2022 with a solo presentation of works by Maryam Mohry. Fueled by lighthearted naive sensibility and sarcasm, Maryam Mohry’s works on paper have a certain narrative quality, indicative of her passion to fully immerse in the process of creation and experimentation. Taking advantage of the translucent quality of watercolor and staying away from applying thick layers of paint, she finds watercolor and gouache best for crafting impulsive and plausible stories. Also a talented sculptor, while addressing environmental concerns, she keeps a sense of playfulness in both her drawings and soft sculptures. By offering notes of cartoonish eeriness in the humanlike expressions of her characters, she keeps the “game” of storytelling connected within all her works. Maryam Mohry currently lives and works in Tehran and has been the subject of several national solo and group exhibits.
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Ashkan Sanei in “Drawing Wow 3”

A work by Ashkan Sanei is featured in “Drawing Wow 3”, an exhibition entirely dedicated to drawing. After two editions in Berlin – Drawing Wow 1 (2019) at BCMA and Drawing Wow 2 (2020) at Kunstsaelen – Drawing Wow 3 will now take place in Vienna. The exhibition is curated by artists Anna Gille, Philip Loersch, Tim Plamper, and art historian Sarah Petersen and runs from September 7, 2022 to October 1, 2022. Drawing Wow is a non-commercial artistic platform that is concerned with the long-term and sustainable mediation and linking of both contemporary and classical drawing positions.
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Maryam Mohry at NADA Curated titled “Reduction to Satire”

The second edition of NADA Curated—a new series of online exhibitions highlighting artists and art spaces from NADA’s international community through curated thematic presentations—features 21 artists present by 17 galleries. The exhibition titled Reduction to Satire (Reductio ad Satura), will be curated by Fatoş Üstek, independent curator and writer and will launch in August 2022. Reduction to Satire (Reductio ad Satura) is a newly coined term for the NADA Curated series. It is a hybrid term, borne out of the juxtaposition between two distinct approaches of engaging with the truth.
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“Greenhouse No. 2; A False Memory” Maryam Mohry’s Installation at Pasio of Mohsen Projects in Collaboration with O Gallery

In “Greenhouse No. 2; A False Memory,” a continuation of her Greenhouse series, Maryam Mohry considers greenhouses as a place for experimenting and playing. The space provides an opportunity to experience nurturing and fabricating as well as recounting and partaking in a conversation. Playful ironies and continuous storylines are the main features of Maryam’s works that have always been created in a fluid and unpretentious fashion due to her cheerful approach and simple materials.
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New Approaches to Modern Iranian Art 1950-1979 – Organized by Mohammadreza Mirzaei and Sven Spieker

In recent years, the historical trajectories and global entanglements of Iranian art before the Islamic Revolution have become subject to increasing debate and conversation, resulting, among other things, in a series of high-profile exhibitions. With this in mind, Mohammadreza Mirzaei and Sven Spieker have organized a one-day symposium at the University of California, Santa Barbara that aims to involve emerging scholarships of pre-1979 Iranian art in a discussion about their research. The organizers aim to provide a platform for these scholars to dialogue critically with each other and the invited audience about innovative approaches and methodologies for the study of Iranian art during the period in question.
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